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'The Green Line'
Exhibit dates: 27 April-27 May 2007. Reception: 27 April.
about the show
artist statements directions/hours contact

     
 
 
 
Susan Mara Bregman
"Green"
Digital print
Framed 20" x 20"
full imageweb
 

Charles Daniels
"Untitled"
Digital print
11" x 14"
full image

  Charlotte Kaplan
"Tejido Verde"
Yarn
3/4" x 40'

full image


  Jeffrey Mann
"Southwest Doorlatch"
Steel (car parts and gas tanks)
48" x 34" x 3"
full image
     
Rachel Mello
"Waiting for the Red Line, Waiting for Spring"
Oil on canvas, applied to illustration board, cut to shape
12" x 12" x 2.5"
full imageweb
  Karen Molloy
"Untitled 1" (Artist's book)
Van Dyke Brown prints
6.25" x 10" closed dimensions, 6.25 x 75" extended
full image web
 

Meghan Moore
"Green Line Extension Family"
Photo Illustration,
photographic print
11" x 14"
full imageweb

  Riki Moss
"Standing Ground"
performance piece

full image web
     
Tim Murley
"Too Early for the T"
Acrylic/Mixed Media
56" x 20"
full image web
 

Dana Pearson
"Charlie Tickets"
Silver gelatin
Framed 16" x 20"
full image

  Eli Sidman
"North Street"
Reduction woodblock print
14" x 18"
full image
  V Van Sant
"Glowing Hope" DETAIL
Mixed media
88" x 10.5 x 4"
full imageweb


about the show
A group exhibition in collaboration with Brickbottom Gallery and in coordination with Somerville Open Studios. Artists respond to the new green line extension, public space, urban life, and making connections.

artist statements

Susan Mara Bregman
These images bridge the gap between my artistic life as a photographer and my work life as a transportation planner. As a planner, I see streetcars taking people to work, school, and play. As an artist, I see a blur of lights and color as a train enters Park Street Station. I used a toy camera, with its random light leaks and uncertain focus, to transform the grimy reality of public transportation into a sleek and streamlined vision. The pictures that emerged show an urban life that is, at once, mysterious and familiar.

Charles Daniels: email
For the Green Line, I chose portraits that represent the masses who use public transportation. Somerville's oft mentioned density is made up of a myriad of personalities. My portraits celebrate the individual spirit in each of us.
Daniels is one of the photographers for Think Green! event, a benefit for The Nave Gallery, on 5-6 May 2007.

Charlotte Ellen Kaplan
The proposed extension of the Green Line--like all public transportation--gives us more than one benefit. One is efficiency in transportation, carrying a group of people to their destinations. Another is efficiency in using our resources. But perhaps the most interesting benefit is the way public transportation makes connections within its neighborhood and with other neighborhoods. Public transportation is a social venue, not just a link between two destinations. People meet other people from their neighborhood, and the next neighborhood, and the next. My work is about those connections.

Jeffrey Mann
In 1972, I was hitchhiking south to Florida and got a ride in a Caddy with two guys who seemed a little down and out. The car was definitely on its last legs. The engine was rough and rust had eaten away chunks of the car. Talking to them I was surprised at how unconcerned they seemed that the car would get them to Florida . It looked like they'd be would be lucky to make it ten miles further. I asked them if they were concerned that the car would leave them stranded? "No problem, Man" they said "We'll just ditch her. We got a Harley in the trunk." We don't have to use a binary approach--cars or no cars. We should be able to plan ahead for a future that allows for the possibility of significant numbers of people being able to choose to do without cars and possibly, if that is in our
best interest as a society, to have most transportation occur without the car. The Greenline Extension and mass transit in general is our "Harley" in the trunk.

Rachel Mello
I work in silhouette and paint, cutting the shapes of familiar sights such as power lines, and morning commuters out of hardboard before painting the surface.
The pieces included in the Green Line show explore the daily activity of waiting for public transportation. We are standing on the platform, waiting for our morning train, and we are attending public meetings, waiting for our train-line.
Waiting interests me as a activity in that we are physically so very close together, and yet rarely speak or make eye-contact with each other.
When I compose my pieces I design the space created by cutting and the cast shadows to be an important aspect of the composition, and an expression of the spaces between each of us and the world in front of us. Through my work, I explore different aspects of seeing and awareness.

Karen Molloy
During the 20 years I've lived in Somerville, I have taken a lot of photographs around the city. Always on the lookout for the textures of urban decay, I find myself most fascinated with the remnants of Somerville's past and its associated rail systems: old rail signage, abandoned tracks and bridges, and signs of nature retaking land that in another era was carved out for transporting manufacturing equipment and materials, commercial goods, and passengers. For several years I've made artists books depicting the visual experience of walking about the streets of urban areas. I like the book format because its small scale, physicality, and hand-held nature convey the intimacy of personal experience. For this exhibit I created two books using imagery from the railbed that extends through the heart of Somerville to Lechmere, including abandoned areas that will eventually be used by the Green Line Extension.

Meghan Moore: email
Since 1999 I've been a freelance people photographer. For commercial jobs, I'm most often on location making images for monthly magazines, weekly newspapers, or for companies' brochures and websites. Call me crazy, but I
love photographing weddings too, for all the joy and spontaneous moments that are part of the day. Open Studios is for opening up discussions between artists and visitors, so be sure to tell me what you're thinking about. On SOS weekend, I'll be helping the Nave Gallery fundraise by photographing you and your loved ones (liked ones? other ones!). Think GREEN! With the Green Line Extension coming to town, we're celebrating. Wear green, bring green, think green. Or purple, orange, red, blue. Come as you are, come as a pirate, just expect silly, fun, painless portraits.

Riki Moss: email
Imagining the Green Line evoked thoughts of waiting at the station for a train, of a train waiting for a station. Am I the train? The station? And who waits for what? So the piece is about waiting. I thought of it in a corner, the space defined by the imaginary vanishing point tracks. I work in paper pulp, making globular forms that often wait in my studio for an environment to come down the tracks and pick them up. They feel patient and mute; the ideal attributes of a commuter waiting for a train at a station that might never appear. The tracks drawn in green wire refer to plans so loosely laid as to perhaps defy construction.

Tim Murley: email
As a native Bostonian, I often paint images ingrained in some aspect of Massachusetts history, such as old colonial-themed magical landscapes and swirly-skied Boston cityscapes featuring fender benders, big digs, the Green Line, police cars, and fire engines. I’ve always been surrounded by the vibrant, yet often extremely chaotic, city life of Boston. The Green Line represents the urban lifeline of Boston, circulating the thousands of inhabitants across and between hubs of the city My view of Boston is a dichotomous balance of animated culture, life, music, and adventure contrasted with the often extreme chaos of endless trains, police cars, buses, taxicabs, pedestrians, and ever-growing new buildings that overwhelmingly inundate my senses. The pervasiveness of chaos and fascination get translated into depictions of dynamic and lively Boston scenes contrasted with the disorder of urban living, with its inescapable vehicles, trains, and congestion.

Dana Pearson: email
For this exhibit I decided to document the only existing subway stop in Somerville. The images show people coming, going, busking, and working at different times of day and on different dates. The photograph titled "Charlie Tickets" shows the confusion that came with the recent switch from tokens to a system based on paper tickets and plastic cards."Holland St. Exit" was shot at night using a long exposure. I shot more than 30 photographs at this spot over two nights and chose the location because of the American flag in the background. In "Checking For The All Clear" I was standing above the platform at the top of the stairs waiting for something to happen, looking for something to catch my eye. When the train arrived I noticed a T employee checking to make sure that the doors were clear and safely closed. I managed to grab a few shots, both vertical and horizontal, and waited for the next train so that I could repeat the process. The image of the "Busker" was also shot from above the platform but in this case the angle did not seem to fit the subject so I also photographed him at eye level. At this angle I framed the subject so that the signage behind the performer gives the viewer a sense of place.

Eli Sidman: email
As is the case with many residents of Somerville, using public transportation, unlike jumping into a car, means walking through our neighborhood, at least briefly. Traversing the sidewalks allows us exclusive space and time to observe the area in which we live. This action inevitably forces us to consider, day after day, our immediate surroundings, both consciously and subconsciously. Eventually, week after week, and month after month, certain moods are absorbed. For me, these overall impressions are not particular to any specific structures, intersections, or types of weather. Rather, the impression of the area where I live is a simplification of all aspects: elementary colors and shapes that speak of all features of the landscape at the same time. My work seeks to portray this unification of place, and convey the specific mood it creates.

V Van Sant: email
Even though I did not attend many meetings, I was in attendance for one meeting when they passed out green glow rings. This meeting seemed to be rehashing old stuff that was presented already and a long time ago. And this event seemed full of doubt, double speak and shallow promises. I left wondering if I would even see the extension
become reality. My piece was created to in some small way "keep the dream alive".
My make-shift alter will have as an offering 300 green glow rings (will need to be replenished as they are taken)
Viewer can take a ring to show support for the green line extension. There will be a small tag on each ring with instructions.
I am excited to think that a SOS trolley ride will carry these rings across the city and truly symbolize the Green Line extension.

The Nave Gallery, P.O. Box 43600, Somerville, MA 02143. © 2004-2009. All rights reserved. info@navegallery.org

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