I've been photographing, filming and video-taping water since 1970. The combination of reflection and refraction makes water a fascinating subject in itself, but what is really interesting, magical, and mysterious is the way water interacts visually with its surroundings.
This interaction lets me produce imagery where it is unclear where 'realism' leaves off and 'abstraction' begins.

Liquidity combines many video sequences of water with layering and effects to make a visual music piece with water as the 'subject'.

I'll be performing my Immersions ensemble on the evening of the opening. I'll be switching, layering and processing 4 DVD players in collaborative improvisation with the ensemble, and will be using images of water to produce an extended improvised version of the piece.