This picture, taken with a plastic camera records the raw animalistic nature of the image. Taken in Rhode Island at a local horse stable, this diptych abstracts the space in which the horse floats and creates a subtle yet apparent comment how composition dictates the reading of an image. Working in alternative processes, the artist must be open to issues of control. We are never quite sure how the result will look, instead leaving the process of our work to the notion chance, and we are open to the possibility of "happy accidents" that simultaneously occur with our original intention.