The Nave Gallery  

Nave eventsSomerville online calendar
AboutDirections/Hoursexhibits
guest curator programCall to Artists
Booking The NavePast EventsFlickr
Featured ArtistsPodcastsProject MUM
the armorySomerville Arts CouncilSOSindex

   
   

'Geomorphics'
Changing Art for a Changing Landscape
Exhibit dates: 23 October-22 November 2009.
Opening reception: 23 October 2009, 6-8 p.m.
Curator's Talk: 1 November 2009, 3 p.m.

about the showdirectionscontact

     
Joan Barker full image
""Losing Touch""
pigmented ink print
 
Jason Burch full image
""Old Nameless""
pigment print
 
Kay Canavino full image
""Pools""
digital color print
 
Cathleen Daley full image
"from a series of 23 called "Mounds/Meltdown""
India ink and gesso on paper shopping bag
Groundview full image
"installation"
 
Julie Jankowski full image
""GPS, Amsterdam""
oil on linen
 
Sarah Meyers full image
""Installation""
scrylic, flowers, and mixed media
 
Ted Ollier full image
""Cell Tower de Stihl""
shaped plate relief print
Christopher Poteet full image
""Staked""
acrylic on board
 
Doug Purnell full image

oil on canvas
 
Alicenne Reid full image
""Map of Cambridgeport, MA, depicting the density of sound produced by non-human species""
cotton, thread, ink
 
Blake Roberts full image
""Garbage Truck 3""
watercolor and ink on paper
Noah Wilson full image
"from the "In my Partial Landscape" series"
           


ABOUT THE SHOW
Curated by Karl Gustafson
.

ARTISTS
Joan Barker
Jason Burch
Kay Canavino
Cathleen Daley
GroundView
Julie Jankowski
Sarah Meyers
Ted Ollier
Christopher Poteet
Doug Purnell
Alicenne Reid
Blake Roberts
Noah Wilson

ARTIST STATEMENTS

Joan Barker
"The landscape is a battle ground vying for our attention. Why can't we leave well enough alone?"

Jason Burch
"Many of my projects over the years have explored various aspects of construction sites. This current project reinvisions construction sites as lunar landscapes. By altering the familiar to be more alien I hope to give an emotional context to these changes going on in the landscape around us."

Kay Canavino
[Statement is not yet available]

Cathleen Daley
I approach landscape as observation, ritual and metaphor. Drawn to the margins and the mundane, I find poetic engagement in common everyday occurrence. I began to notice the snow heap in the parking lot outside of my studio window as this past winter's recession grew in magnitude. Returning to observe and paint it regularly, the focused practice helped me to cope with the stunning details of so many jobs and fortunes lost. The accumulation and variable nature of the pile described in a restricted palette on recycled paper bags became its own meta phor for this time."

GroundView
"Our proposal is for an installation that tinkers with and reveals actual landscape processes. And while our comfort zone is outside the walls of architecture our definition of landscape, "as a process of ongoing relationships existing in a physical region" (Robert Smithson), encompasses the gallery. We hope through this project to expand the gallery's reach and embrace the curatorial call to examine "the changing landscape."

Julie Jankowski
"This body of recent work addresses contemporary experience of connection, location, and the systems that define these within a technology driven culture. My use of satellite imagery enables a distancing from the literal experience of landscape and opens a dialogue between viewer and subject. The figurative 'space' between these images and ourselves corresponds to our contemporary systems of connection and the spaces inherent in them."

Sarah Meyers

Ted Ollier
"In the modern landscape, the cell tower is as much a part of the landscape as a church steeple or horse barn"

Christopher Poteet
"From an urban perspective, man's influence and dominance over the landscape reigns. However form a rural perspective, t he effect and influence of human endeavor is a far less certain reality. Whatever strength that man may seem to exert in a city of skyscrapers and billion dollar tunnels, t hat strength is marginalized outside the of the urban/suburban domain."

Doug Purnell

Alicenne Reid
"Ecotone(Complex Biodiversity at the Borderlands)" is a sound work that uses field recordings from urban wilds and green spaces to urge listeners to consider the richness of these areas. A new ambient soundscape is constructed from both human produced mechanical noise and the voices of animals, in order to rearrange the hierarchy of listening...."

Blake Roberts
"Waste grows. Expands and respires, sustained by humanity's expelled materials. Abandoned, the objects left behind find their own order. New spaces are created that surpass familiar landscapes. These landscapes originate with every individual and home, collecting and compacting spaces together. Scouring for more, waste landscapes pass through streets inconspicuously."

Noah Wilson
"In my Partial Landscape" series, I've concentrated on landscapes that reveal traces of the human hand. I'm curious about how we claim and design natural spaces, and how we use fragile symbols, like posts in the ground, to define our presence and our boundaries. In my work, I want to portray this bond between land and the human presence as something uncertain, sublime and disconcerting."


The Nave Gallery, P.O. Box 43600, Somerville, MA 02143. 2004-2008 All rights reserved. info@artsomerville.org